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Old 03-05-2006, 10:14 AM
Kevin Bethea
Posts: n/a
Thanks again. My teacher hasn't been blowing glass very long and he was a student of a professor that recently retired that had built the furnace a long time ago. He was a 70's type guy for sure so I imagine he knew about more than 2 colors but somehow that all got lost. His name is Ralph Harvey but I missed him by a few years. I know he has notes somewhere so that's my first question for him when I meet him. My teacher now has a background in metal working so we sometimes learn the cave man approach to glassblowing. No offense to cave people. It's funny to watch his demos sometimes. I have a lot to learn so I can learn a little of the good from everyone. Last night we were making compotes(sp? big goblet shapes), triple cup reverse axis vases with lip trails and matching handles, and various other bit work stuff. Taking some of the flashes made me nervous but I had fun and I got my workout for the day. Our studio used to be full all night long years ago but those guys have left and it's just me every night. If somebody does show up they are going to stay longer than they planned. I made sure I learned how to shut down first thing so I could be up there as long as I wanted. I get so excited I forget to eat so I can imagine most of you guys remember those days. I leave my phone number up there so if I am not there people can call me and I meet them up there to help out. I think I average about 60 hours a week on top of class time and I'd like to be there more but I have 2 other studio courses. Periwinkle sounds like a good color to start with but like I said, anything would make me happy. We have a sandblaster so things can be "fixed" so to speak. Thanks for pointing me in the right direction. Soon I will ask questions and eventually get to where I need to just take a color class so I have to keep hoping that you keep teaching it and that I can afford it when you do. After that I might be able to get something out of Weyl's book that I bought a while back. Basic guidelines are a great start for me. I heard Dave reference Scholes but is that a book or just research that's still accessible somehow? I doubt I'll understand it right now but I wouldn't mind buying another book. I know Dave has tried all kinds of melts so maybe one day I'll have enough notes to share. I guess I could make things that don't match the base at all as long as I don't case over it so I doubt anything will go to waste but it will be a while before I try opals and all the fun stuff I have read about in Dave's testing. For now, I am a happy glassblower so thanks everybody. I'll try the turquoise Brian mentioned I'm sure and we even got Peet in on this one. And no, I don't mind the swirls one bit. You should have seen the "successful" melt of red I saw. I saw 10 shades of brown I had never seen before and I wouldn't call it red if you asked me to name that color. When I want pretty red that will polish perfectly I'll buy Pete's. Same goes for the black since I have heard that stuff it just awesome. Thanks Pete and everybody. I'll be amazing my friends before I know it.
Kevin Bethea
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